PRE-ORDER! Released 17.08.2018
Curse Of Lono will release their second album ‘As I Fell’ on August 17th. Produced by Oli Bayston (Boxed In) at Rancho V, a remote desert studio in Joshua Tree, and Flesh & Bone Studios in Hackney, the album is accompanied by a documentary ‘Somewhere In Their Heads’ by Gregg Houston (Noel Gallagher, Two Door Cinema Club, Michael Kiwanuka, Foy Vance).
‘As I Fell’ is the follow-up to ‘Severed’, one of the most critically acclaimed debuts of 2017, and builds on Curse Of Lono’s deeply cinematic blend of harmony-laden Americana and driving, gothic alt-rock. It’s a sound that owes as much to old faithfuls like The Doors and The Velvet Underground as it does to more modern practitioners of the form such as The War On Drugs and Wilco.
Although some of the songs on ‘As I Fell’ revisit familiar themes like murderous jealousy and the death of loved ones, much of the album covers new ground.
“Leuven”, with its sumptuous string arrangement, recalls the stories Felix’s grandfather told him about growing up as a half-Jew in Nazi Germany and a devastating train crash he survived in 1954 after the first football international between England and West Germany after World War 2.
“It was one of the worst train crashes in Belgian history,” says Felix. “My grandfather and his brother were on their way home from Wembley, when their train derailed outside Leuven in Belgium. He told me that he was never able to shake the image of their coats soaked in blood as he and his brother dragged the bodies from the wreck.”
Despite a conscious attempt to close the door on the heroin-related material that has inspired much of Felix’s previous work, ‘As I Fell’ does include a couple of old songs that have patiently waited their turn. The most notable is “And It Shows”, the first song Felix wrote after he gave up heroin and methadone.
“I was only a couple of weeks out of detox, living in a halfway house in Delray Beach. My best friend had passed away a few months earlier, my girlfriend of five years was gone and I was climbing the walls. It was a very dark time and the only thing I had to cling to were the songs that kept pouring out. I thought that I had exhausted that well when we started working on this album but despite my desperate attempts not to go back there, this song wouldn’t leave me alone. Eventually I backed down and gave it another chance. I’m glad I did. It’s a time capsule.”